cineasthesia-home/deck.html

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<!DOCTYPE html>
<html lang="en">
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SHARED HELPERS
============================ */
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SLIDE 1: COVER — split layout
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SLIDE 2: EXHIBIT — text + image
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/* ============================
QUOTE SLIDE
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SENSORY TAGS
============================ */
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EARTH SLIDES
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THREE CARDS
============================ */
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SPLIT SLIDE (image + text)
============================ */
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/* ============================
GALLERY SLIDE
============================ */
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/* ============================
ABOUT SLIDE
============================ */
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/* ============================
TEAM SLIDE
============================ */
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CLOSING SLIDE
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</head>
<body>
<!-- ============================================================
SLIDE 1: COVER — full description + home design photos
============================================================ -->
<div class="slide slide-cover">
<div class="cover-left">
<p class="overline">A Cineasthesia Project</p>
<h1 class="title">HOME</h1>
<p class="cover-desc"><em>The Last Draw/Home</em> is a film and art installation that deconstructs and reimagines the notion of &#8220;home&#8221; &#8212; as cultural memory, as shelter, and as a form of resistance in service to a reimagined future. The project is multi-purpose: using neuroaesthetic principles rooted in West African indigenous practices to lower cortisol levels and induce states of joy, euphoria, play, and embodied remembrance &#8212; and as a prototype for fire-resistant, climate-adaptive affordable housing.</p>
</div>
<div class="cover-right">
<img class="cover-single-img" src="img/cropped/cover-wide.jpg" alt="HOME house design">
<div class="img-overlay"></div>
</div>
</div>
<!-- ============================================================
SLIDE 2: THE SENSORY JOURNEY — with home design image
============================================================ -->
<div class="slide slide-dark-split">
<div class="ds-text">
<p class="label">The Sensory Journey</p>
<h2 class="heading">Interconnected Sensory Chambers</h2>
<p class="body-text">Visitors move through interconnected sensory chambers &#8212; experiencing film, video, oral storytelling, bass vibrations, AR environments, projection mapping, sound frequencies tied to ancestral rhythms, and eco-designed spaces &#8212; across a durational journey modeled on ceremonial timescales.</p>
<p class="body-text">By fusing adaptive architectural design with immersive storytelling, <em>The Last Draw/Home</em> offers spaces that can function as both an externalized and internalized nervous system regulator.</p>
</div>
<div class="ds-img">
<img src="img/cropped/sanctuary-photo.jpg" alt="HOME architectural pillars">
<div class="img-fade"></div>
</div>
</div>
<!-- ============================================================
SLIDE 3: GOALS — three imperatives + cultural design
============================================================ -->
<div class="slide slide-vision">
<div class="left">
<p class="label">Project Goals</p>
<h2 class="heading">Cultural Reclamation, Nervous System Restoration, Climate-Resilient Housing</h2>
<p class="body-text"><em>The Last Draw/Home</em> operates at the intersection of three urgent imperatives: cultural reclamation, nervous system restoration, and climate-resilient housing.</p>
<p class="body-text" style="margin-top: 16px;">Through integrating technology with Ghanaian indigenous practices &#8212; sound frequencies, ceremonial pacing, ancestral storytelling modalities &#8212; the project invites visitors into what we call &#8220;cultural design&#8221;: architecture and narrative shaped by the epistemologies of the communities it serves.</p>
</div>
<div class="right">
<img src="img/cropped/acorus-overhead.jpg" alt="Acorus sanctuary overhead">
</div>
</div>
<!-- ============================================================
SLIDE 4: GOALS (continued) — AR, housing, healing
============================================================ -->
<div class="slide slide-dark-split">
<div class="ds-text">
<p class="label">Cultural Design</p>
<h2 class="heading">What Would Housing Look Like If It Were Designed to Heal?</h2>
<p class="body-text">&#8220;How can we create both an externalized nervous system through design technology and an internalized nervous regulator through story and somatic sensory experiencing&#8212;linking the knowledge and ancient tech that has always been there to the technology of today?&#8221;</p>
</div>
<div class="ds-img">
<img src="img/cultural-design.jpg" alt="Cultural design dome interior">
<div class="img-fade"></div>
</div>
</div>
<!-- ============================================================
SLIDE 5: THE EXPERIENCE — neuroaesthetics + Walker/Lorde
============================================================ -->
<div class="slide" style="background: var(--midnight); display: flex; flex-direction: row; align-items: center; padding: 80px 100px;">
<div style="width: 50%; padding-right: 80px;">
<p class="label" style="color: var(--gold-light);">Immersive, Interactive Art</p>
<h2 class="heading" style="color: var(--sand); margin-bottom: 30px;">The Experience</h2>
<p class="body-text" style="color: rgba(245,237,224,0.8);">Drawing from Alice Walker&#8217;s radical tenderness and Audre Lorde&#8217;s framing of self-care as a form of political resistance, this project destigmatizes play, rest, and joy for people who may be in survival mode.</p>
<p class="body-text" style="color: rgba(245,237,224,0.8);">Each sensory chamber is designed using neuroaesthetic research to activate specific neurological responses: lowering cortisol, stimulating oxytocin and dopamine pathways, inviting the body back into safety. Visitors don&#8217;t just observe &#8212; they participate through the story and immersion.</p>
</div>
<div style="width: 50%; display: flex; align-items: center; justify-content: center;">
<div class="sensory-grid" style="width: 100%;">
<span class="sensory-item">Film</span>
<span class="sensory-item">Sound Frequency</span>
<span class="sensory-item">Bass Vibrations</span>
<span class="sensory-item">Volumetric Lasers</span>
<span class="sensory-item">Oral Storytelling</span>
<span class="sensory-item">Touch</span>
<span class="sensory-item">Cinemagraphs</span>
<span class="sensory-item">Scent</span>
</div>
</div>
</div>
<!-- ============================================================
SLIDE 6: QUOTE
============================================================ -->
<div class="slide slide-quote">
<div>
<div class="quote-line"></div>
<p class="quote-text">&#8220;How can we create both an externalized nervous system through design technology and an internalized nervous regulator through story and somatic sensory experiencing&#8212;linking the knowledge and ancient tech that has always been there to the technology of today?&#8221;</p>
</div>
</div>
<!-- ============================================================
SLIDE 7: SENSORY GALLERY
============================================================ -->
<div class="slide slide-gallery">
<p class="label" style="color: var(--gold-light);">Sensory Worlds</p>
<div class="gallery-4x2">
<img src="img/schwartz-web-of-life.jpg" alt="Web of Life">
<img src="img/schwartz-spider.jpg" alt="Spider web">
<img src="img/schwartz-waterdrops.jpg" alt="Water drops">
<img src="img/schwartz-web-wave.jpg" alt="Web wave">
<img src="img/schwartz-butterfly.jpg" alt="Butterfly">
<img src="img/schwartz-succulent.jpg" alt="Succulent">
<img src="img/schwartz-bees-palace.jpg" alt="Bees palace">
<img src="img/schwartz-plantkindom.jpg" alt="Plant kingdom">
</div>
</div>
<!-- ============================================================
SLIDE 8: INTERCONNECTED NARRATIVE
============================================================ -->
<div class="slide slide-dark-split">
<div class="ds-text">
<p class="label">Immersive, Interactive Art</p>
<h2 class="heading">Interconnected Narrative</h2>
<p class="body-text">Each experience has its own separate space and is linked to a story, creating an interconnected larger narrative &#8212; layers revealed like a Russian doll across different mediums.</p>
<p class="body-text">Drawing from Alice Walker&#8217;s radical tenderness and Audre Lorde&#8217;s framing of self-care as a form of political resistance, this project destigmatizes play, rest, and joy for people who may be in survival mode.</p>
<p class="body-text">AR layers, volumetric projections, and spatially mapped soundscapes create environments where visitors encounter their own stories reflected back &#8212; not as trauma, but as source.</p>
</div>
<div class="ds-img">
<img src="img/interconnected-narrative.jpg" alt="Interconnected sensory dome interior">
<div class="img-fade"></div>
</div>
</div>
<!-- ============================================================
SLIDE 9: HOUSING PROTOTYPE — dark split with landscape
============================================================ -->
<div class="slide slide-dark-split">
<div class="ds-text">
<p class="label">Housing Prototype</p>
<h2 class="heading">The Home Within</h2>
<p class="body-text">The installation also serves as a functional prototype for fire-resistant, ecologically designed affordable housing.</p>
<p class="body-text">As climate disasters disproportionately displace Black and Brown communities &#8212; from wildfire corridors in California to flood-vulnerable neighborhoods across the Gulf Coast and West Africa &#8212; we need housing models that are both structurally resilient and culturally resonant.</p>
<p class="body-text"><em>The Last Draw/Home</em> investigates what &#8220;home&#8221; can be when designed from indigenous knowledge systems rather than extractive development logic.</p>
</div>
<div class="ds-img">
<img src="img/housing-prototype.jpg" alt="Housing prototype interior">
<div class="img-fade"></div>
</div>
</div>
<!-- ============================================================
SLIDE 10: STORY · SANCTUARY · LAND — with images
============================================================ -->
<div class="slide slide-earth">
<p class="label">Three Pillars</p>
<h2 class="heading">Story &#183; Sanctuary &#183; Land</h2>
<div class="three-cards">
<div class="card">
<img class="card-img" src="img/story-family.jpg" alt="Story">
<h3 class="card-title">Story</h3>
<p class="card-text">A grounded near-future narrative about a Ghanaian family living under ecological pressure and lottery-based survival gives the work its emotional life and human stakes.</p>
</div>
<div class="card">
<img class="card-img" src="img/cropped/sanctuary-card-photo.jpg" alt="Sanctuary">
<h3 class="card-title">Sanctuary</h3>
<p class="card-text">The habitat system through which this world takes architectural form &#8212; spherical, linked, repairable, teachable, and suited to distributed local manufacture.</p>
</div>
<div class="card">
<img class="card-img" src="img/cropped/land-photo.jpg" alt="Land">
<h3 class="card-title">Land</h3>
<p class="card-text">Food production, water catchment, soil repair, medicinal planting, nursery life, shade, and productive edges all shape how people live, move, and remain in place.</p>
</div>
</div>
</div>
<!-- ============================================================
SLIDE 11: MIM, GHANA — dark split
============================================================ -->
<div class="slide slide-dark-split">
<div class="ds-text">
<p class="label">Grounded in Place</p>
<h2 class="heading">Mim, Ghana</h2>
<p class="body-text">For this work, that place is Mim, Ghana &#8212; its red earth, water edges, agricultural life, quarry conditions, settlement patterns, and surrounding landforms create a grounded environment for thinking about climate adaptation in material terms.</p>
<p class="body-text">The project asks what becomes visible when future habitation is grounded in land, culture, pressure, and daily life.</p>
</div>
<div class="ds-img">
<img src="img/cropped/mim-photo.jpg" alt="Mim, Ghana">
<div class="img-fade"></div>
</div>
</div>
<!-- ============================================================
SLIDE 12: WORLDING FIT — dark split with image
============================================================ -->
<div class="slide slide-dark-split">
<div class="ds-text">
<p class="label">Why WORLDING</p>
<h2 class="heading" style="font-size: 46px; margin-bottom: 60px;">Where Story, Land, Climate Futures, and Real-Time Technology Meet</h2>
<p class="body-text" style="font-size: 22px; line-height: 1.6;"><em>The Last Draw/Home</em> sits precisely at the intersections WORLDING names: story, land-use, climate futures, and real-time technology &#8212; but it approaches that intersection from a position rarely centered in planning discourse. This is a project that deconstructs the various meanings of &#8220;home&#8221;, imagined through Black diasporic epistemology, where the act of dwelling is itself a narrative act, and where climate adaptation is inseparable from cultural survival.</p>
<p class="body-text" style="font-size: 22px; line-height: 1.6; margin-top: 14px;">The WORLDING incubator&#8217;s emphasis on teams working between storytelling and community-based placemaking is in direct alignment with our team and our values. This project takes shape as a prototype where story, ceremony, and shelter are developed together, each one informing how the others are experienced. The project needs exactly the kind of interdisciplinary support and pressure-testing that WORLDING provides.</p>
<p class="body-text" style="font-size: 22px; line-height: 1.6; margin-top: 14px;">Our use of real-time 3D technology &#8212; AR environments, volumetric laser mapping, spatially responsive projection &#8212; is central but not dominant. We believe this aligns with WORLDING&#8217;s approach to XR as a tool for worldbuilding rather than spectacle. <em>The Last Draw/Home</em> operates at the scale of the individual nervous system, the scale of the neighborhood, and the scale of diasporic climate futures all at once.</p>
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SLIDE 13: ABOUT ELLE SAM
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<img class="photo" src="img/elle-sam.jpg" alt="Elle Sam">
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<p class="label">The Creator</p>
<h2 class="name">Elle Sam</h2>
<p class="role">Storyteller &#183; Filmmaker &#183; Medicinal Healer</p>
<p class="bio">Michelle &#8220;ELLE&#8221; Sam is a storyteller, award-winning filmmaker, writer, multimedia artist, and medicinal healer of Ghanaian descent within the Fante, Akwapim, and Bwiti traditions. She holds a B.A. from Rice University in Visual and Dramatic Arts, Sociology, and Neuroscience &#8212; an interdisciplinary foundation that reflects the convergence driving her work.</p>
<p class="bio">Her credits include writing for Jason Katims&#8217; <em>As We See It</em> (Amazon) and <em>Hardly Working</em> (Paramount+). Her short film <em>Missed Connections</em> won the audience award at TranScreen Amsterdam. She wrote <em>Black Boy Joy</em>, which received a NAACP Image Award. She was a speaker at TEDxAccra&#8217;s Chale Talks.</p>
<p class="bio">Her practice bridges West African indigenous healing traditions, neuroaesthetics, and multimedia narrative &#8212; the convergence at the heart of <em>The Last Draw/Home</em>.</p>
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SLIDE 14: THE TEAM
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<p class="label">Collaborators</p>
<h2 class="heading">The Team</h2>
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<img class="avatar" src="img/george-jackson.jpg" alt="George A. Jackson II">
<h3 class="member-name">George A. Jackson II</h3>
<p class="member-role">Habitat Systems</p>
<p class="member-bio">Brings the Acorus habitat system and its architectural logic &#8212; spherical, linked, repairable civic sanctuary infrastructure suited to distributed local manufacture and climate-adapted settlement.</p>
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<img class="avatar" src="img/stefanie-schwartz.jpg" alt="Stefanie Atkinson Schwartz">
<h3 class="member-name">Stefanie Atkinson Schwartz</h3>
<p class="member-role">Multisensory Experience</p>
<p class="member-bio">Brings multisensory experience design, embodied perception, and visual storytelling into the worlding process. Her work explores the intersection of nature, sensation, and ecological awareness.</p>
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<img class="avatar" src="img/roxi-shohadee.jpg" alt="Roxi Shohadee">
<h3 class="member-name">Roxi Shohadee</h3>
<p class="member-role">Creative Producer</p>
<p class="member-bio">Brings production expertise and creative strategy to the HOME project, supporting its development across immersive art, housing innovation, and community engagement.</p>
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